Jacob Weinberg
Jacob Weinberg, After the Crisis, 2024, Two-channel audio, ultrasonic speakers, 31:23 minutes
Text adapted from Cuba and Pearl Harbor: Hindsight and Foresight, Roberta Wohstetter, RAND Coporation, 1962
Read by Miranda Baldys
Jacob Weinberg, Decoy 1 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
Jacob Weinberg, Decoy 2 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
Jacob Weinberg, Decoy 3 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
Jacob Weinberg, Decoy 4 (tableau figure), 2024, Painted blown resin, lead shot, 5.5 x 16 inches
Jacob Weinberg, Decoy 5 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
Jacob Weinberg, Decoy 6 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
Jacob Weinberg, Decoy 7 (tableau figure), 2024, 2 liter bottle, spray paint, lead shot, 4 x 11.5 inches
About
Jacob Weinberg (b. 1991, Harrisburg, PA) makes work that highlights slippages between the technical and social dimensions of inherited institutions. Working across media, he operates within the details of mechanisms that both haunt and shape contemporary conditions of rationality, uncertainty, and subjectivity. Jacob received an MFA from the University of Pennsylvania and a BFA from the Maryland Institute College of Art. Recent exhibitions include What’s a Public For? at Atelier Gallery, Shuttle Service at The Arts League, and Under at Charles Addams Gallery. He has also presented research at Virginia Tech (Blacksburg, VA), Ryerson University (Toronto, CA), and NYU Shanghai (Shanghai, CN). Jacob was a participant in TSA’s residency in 2021.