TIAB VIEWING ROOM: daàPò réo
daàPò réo, Why Should We Be Deported? This is Very, Very Hard for a Family. 2020. Metal, barbed wire, fabric. 84 x 72 x 12 inches
![walter-wlodarczyk-2020-09-28-_F7A6925.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003547709-D9TT9MLAMD9VFD3M22N9/walter-wlodarczyk-2020-09-28-_F7A6925.jpg)
![walter-wlodarczyk-2020-09-28-_F7A6940.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003549680-2XTXOOIW8GIKFZNNSVRV/walter-wlodarczyk-2020-09-28-_F7A6940.jpg)
![walter-wlodarczyk-2020-09-28-_F7A6965.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003551250-5IMN3842RSPS82ILQ1R5/walter-wlodarczyk-2020-09-28-_F7A6965.jpg)
![walter-wlodarczyk-2020-09-28-_F7A6998.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003554984-GM2PNLE8SGYWSLC5BE5J/walter-wlodarczyk-2020-09-28-_F7A6998.jpg)
![walter-wlodarczyk-2020-09-28-_F7A7008.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003556107-NVUJ981P474NPBCLIU9D/walter-wlodarczyk-2020-09-28-_F7A7008.jpg)
![walter-wlodarczyk-2020-09-28-_F7A7016.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003558874-NYOXRILAUU9Z96MM88W9/walter-wlodarczyk-2020-09-28-_F7A7016.jpg)
![walter-wlodarczyk-2020-09-28-_F7A7024.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003560166-C6TSUPTDR6EP2NN8YOHY/walter-wlodarczyk-2020-09-28-_F7A7024.jpg)
![walter-wlodarczyk-2020-09-28-_F7A7027.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003563035-4MLALB4N4LRTZRCTSOWN/walter-wlodarczyk-2020-09-28-_F7A7027.jpg)
![walter-wlodarczyk-2020-09-28-_F7A7028.jpg](https://images.squarespace-cdn.com/content/v1/537c9eb6e4b0ca838c2f4f52/1602003565678-8JGXQVYBNB1UPLTKFGPU/walter-wlodarczyk-2020-09-28-_F7A7028.jpg)
Curator’s Text:
Nigerian-born artist daàPò réo boldly tackles the concepts of borders, walls, and restrictions of global migration through a participatory installation in which a hand crafted flag and barbed wire structure welcomes the viewer into the exhibition as an imagined “country.”